![]() That’s what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.” It meant sod-all in the end, ’cause you gotta make a choice: when to do something, and when to let it go. ![]() It didn’t matter, see? This berk on the bench wasn’t worth my time. What I thought I was thinkin’ about was something else. ‘Cause what I thought I wanted wasn’t what I wanted. There was no-one about, I could’ve gone up behind him and snapped his fuckin’ neck, *wallop!* But I left it. He’s sittin’ on a bench feedin’ bloody pigeons. Two years after I got sprung, I sees him in Arnold Park. When I was in prison – second time – uh, no, telling a lie, third stretch, yeah, third, third – there was this screw what really had it in for me, and that geezer was top of my list. Whatever this bollocks is that’s going down between you and that slag Valentine, it’s got nothing to do with me. ![]() So there’s no need to get your knickers in a twist. Wilson: “How you doin’ then? All right, are you? Now look, squire, you’re the guv’nor here, I can see that. Terence Stamp’s “Wilson” is a career criminal, but a small-time one…here he explains the philosophy behind his actions – this is one of the most perfectly written and acted monologues ever put on film: The film also stars Luiz Gusman, who was in Soderbergh’s “Out Of Sight”, another classic noir… Terence Stamp is a revelation as Wilson, a father who is estranged from his daughter, only to have to travel to LA to find out why she disappeared. The trailer focuses on the action in the film, but what makes this movie brilliant is the atmosphere of dread and violence that permeates every frame – due in part to the riveting performance by veteran English Actor Terence Stamp… “The Limey” is a brilliant revenge thriller steeped in mood and regret…directed by Steven Soderbergh, it’s one of his least known films, but in my opinion perhaps his best…here is the plot: an extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter’s death. Here’s a look at these two film noir classics… Yes, classic film noir is steeped in sexuality, raw human emotion, and CRIME…and that line from “Night Moves” could also be used for this modern film noir classic as well: “Cynical Attitudes And Sexual Motivations”, Indeed! This is what film noir looks like in every single movie… “A cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations.” It’s a great line for a movie steeped in “film noir”, which is described as: ![]() This line is from the poster art for a classic 70’s film noir called “Night Moves”… The Limey! Night Moves! Classic “Action Noir”! Her ability to convey the emotional range required for Coraline's journey is also commendable, making the film a captivating experience for audiences of all ages.Home › 70's Cinema › The Limey! Night Moves! Classic “Action Noir”! Moreover, thanks to Fanning's voice acting, Coraline becomes a more complex and compelling lead character. However, things take a sinister turn when she realizes that this magical world and its Other Mother ( Teri Hatcher) has a dark and eerie secret.įanning’s performance is a delightful blend of innocence and courage, perfectly capturing Coraline's curiosity and determination as she faces the Other Mother's sinister intentions. ![]() She stumbles upon a hidden door that leads her into an alternate world, seemingly perfect, where everything she desires comes true. Based on Neil Gaiman's novella, Coraline is a mesmerizing stop-motion animated dark fantasy film that revolves around Coraline Jones (Fanning), a curious and adventurous young girl who moves to a new home with her neglectful parents. ![]()
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